This book is very helpful if you do the Artist's way morning pages. In fact, if you are not doing this, I'm not sure what else you would use this book for.
I gave it a 4 only because the number of pages for each week were off and it was an awkward book to write in. Other than that it was great.

GIVES YOU AN IDEA OF WHAT THE AUTHOR INTENDED FOR 3 PAGES OF WRITING
When you do the Artist's way journaling, it states you should do 3 pages of writing per day. This book gives you a sense of what the author meant as 3 pages. By the way 3 pages this size took me not the 15-30 minutes the author implied, but more like 45 minutes to 1 hour. It could also be the morning grogginess too.
I get up at 5:15AM to do these.

NOT ENOUGH PAGES FOR EACH WEEK PLUS A CHECK-IN:
As this book is by the same author that did the Artist way 12-week program, I am surprised that the number of pages provided did not meet the authors requirement. Per week you should have at least 21 pages and then 1-2 pages for a weekly check in. I found that I often wrote into the following week though I never wrote over 3 pages/day nor more than a 1 page per check in. 23 pages per week should be what the author provided as a minimum.

BOUND-BACK MADE IT AWKWARD TO WRITE AT TIMES:
This book would be better as a spiral bound book, so that you could fold back the areas you did not need. At times in the AM, it was all I could do to write much less trying to hold the book open.

INSPIRATIONAL SAYINGS EACH DAY PERTAINING TO THAT WEEK WAS NICE:
The author paraphrazed the Artist's way book providing page numbers as well, each day. That was nice. It often helped to get my writing jumpstarted.

SUGGESTION TO THE AUTHOR:
As you recommend to your readers to continue the morning pages a follow on set of books would be handy with the same type of inspirational phrases each day. Buying this book again with the unmatched set of pages and difficulty to hold open, does not appeal to me.

This program is a good one and I plan to continue the morning pages. It is a very useful thinking practice.

When I purchased the journal, I didn't know exactly the impact the journal would have. As I followed Ms. Cameron's instructions, I became amazed as to what was happening with creativity in my life. I recommend the book and the journal to anyone who is willing to be challenged by the concept of creativity.

Reading "The Artist's Way" & actually doing some of the key things can change your life. Morning pages are one of the key things (others include a weekly artist date & the use of affirmations) & this is a great volume to start in. I'm a slow learner so I actually went through four of these before I bought my own blank-paged journals. Things I like about this volume include that it forced me to fill a certain amount of space: there are three pages for each day & that's what Cameron wants you to do & this volume gives a very good guide of how much writing is desirable. I also like the quotations, the summaries of the goals for the coming week & even the potentially cheesy contract with myself to commit to the process. Time IS an issue & Cameron's 30 minutes is at least at the beginning optimistic, though that's what I now generally use. At first it might take longer, even significantly longer, but it's well worth it. I started writing morning pages in November 1998. Three years later, I am still writing them. They are a wonderful tool toward a clear head & the working through of issues & about the only thing I believe someone can do wrong in using them is to be afraid of letting whatever comes out come out. Coincidentally (I don't THINK so) I started serious work on my first, non-fiction book at the same time I started morning pages & three years later I'm very close to finishing it, so I know the program works. It also goes very well with 12 Step programs, for people in those. If you buy this journal, also buy "The Artist's Way," the book that lays it all out ... & consider some of Cameron's little books of affirmations, which are outstanding. This is a wonderful tool and deserves five stars.

Learned alot, I liked it. It brought the historye items in the book to life.

Great book for a beginner to give an overall review of the Civil War out West The color pictures are great....I liked it alot.

I have used this book as a reference in making reproduction uniforms for reenactment events. In addition it lends 'life' the the items shown by giving a history of the person it belonged to. I have also noticed this book used as a reference tool by antique stores selling Civil War period items! The pictures are great, it's a great addition to a Civil War Reference material.

This is an excellent book with a few, minor flaws. The book tells you at what mileage markers you can find specific landmarks, so you shouldn't have any difficulties finding old mines, ghost towns, etc., whether on a paved or 4X4 backcountry road. The author includes a brief history of each mine and ghost town, though they sometimes leave me with more questions than they answer. However, in a book that attempts to cover as much as this one does, such shortcomings are inevitable. Indeed, one gets the impression that the author wanted to include more anecdotes, but the publisher wouldn't allow it. People interested in botany and geology should find this book especially useful, while those interested in wildlife will find this book to contain only basic information.

There are a few minor inaccuracies...for example, an abandoned camp along Butte Valley Road is listed as being abandoned since the early 80's, but a marker at the site says it was abandoned in 1988. Also, though the book covers most roads in the park, it hardly mentions a few, including the (difficult!) road from Eureka Valley to Saline via Steele Pass. This omission won't be a problem for most readers, since the vast majority will stick to the paved roads. And the author writes about the paved roads with the same detail and enthusiasm as the unpaved ones.

Some remarks are downright mysterious and leave the reader hungry for more. For example, when describing the features of a particular road, the author says "a few maps show a 'Marble Bath' but no one can agree on where or what it is." Well...?!? Has the author seen this landmark? Can he tell us what SOME people think it is? Give us a hint!

While the book is very good at telling you exactly where to find major landmarks, there are no maps. Even though the book describes in words where to turn, what route to take, etc., a map would be most helpful. This omission can be rectified by visiting your AAA travel center.

But don't let these flaws stop you from buying the book. If you're going to Death Valley, and especially if you're taking an unpaved, backcountry road, this book is an invaluable resource.

It would take years of visits to Death Valley to enjoy all the trips outlined in this book, and without this book, you won't get as much out of them. This book really made my recent trip to Death Valley a success.
One suggestion: get a map to use with this book. The book itself has only tiny outline-maps of the various trips described imposed on small silhouettes of Death Valley. A map will help you get an overview of where you are and where you want to go. A map will make it easier to plan your itinerary. I used Tom Harrison's excellent map of Death Valley, which you can score at outdoor-oriented stores. When you pay your user-fee at the park, they also will give you a simple map.
Enjoy.

As I was studying this book,when I was writing important
secrets with in the book's Repitoire in my journal.The
place itself is amazing to know how much of Death Valley that
we never knew before.Not only the book,but the place itself,
must have a lot hidden secrets and the geography of the place
that makes it astonishing.The book is really a piece of
ancient art,especially Death Valley itself.
Throughout, the captivity of Death Valley, the stunningly
beautiful sceneries. The amount of plants, flowers, and the
nature of it, can really bloom out in fantastic shades and colors. I always thought, that Death Valley is a good National
Park to visit, but not to live in. I felt the amirition of
the book's scriptures based on the National Park, as
overwellming, and someday I wsh to to become an American
Female Archeologist and explore more of Death Valley. There
are still more to be discovered, that remains a mystery.
That's what Death Valley means to me. The place itself
remains a mystery.

Since it has so many glowing reviews, I'll give it a review that may be uselful to the authors for future additions.

I don't understand why Sun Microsystems, on their website and in thier books, (and this book is no exception) do not use UML to describe their libraries and frameworks. I, for one, learn a lot about dependencies and collaborations between classes when UML is employed. In the sections that have real code examples, it would be helpful to have a snippet of UML describing the section of Jini critical to that example, for instance.

Furthermore, in the earlier sections of the book, the overview, the authors use what I call "system collaboration diagrams", even better would be when they are explaining code snippets to highlight in their system collaboration diagrams what part of the system they are showing an example of.

I guess I just found the explaination of the examples lacking. The examples themselves are excerpted, making them hard to follow. For instance, it is confusing to see an ordinary method being called (from within an excerpt) with no class or object qualified before it. Is it in the superclass? In the implementation? If in the superclass, how far up? This is especially difficult when referring to the DEM of Java, which sometimes seems counterintuitive to beginners.

My rule of thumb is one should never look at a piece of code and get "nervous" about what a symbol or method is supposed to be doing there.

I put off buying this for about a year because I was fooled by the title. Think of it as a primer on how to use Jini the way the people who developed Jini intended (rather than as a spec). That makes it very useful. Not ideal for someone who is considering using Jini and wants an overview, but a great "second book" on Jini. Similar to Keith Edwards' Jini "Example by Example".

Jini has to be about the hottest new Java technology to be released in years. Imagine a world of plug-and-play networked devices, which can be installed and seamlessly integrated with your LAN simply by connecting them to your network. A laptop on-the-go can just plug in to an unfamiliar network, and access the printer or Internet proxy server, without the need to install any drivers. Mixing Unix and Wintel devices? Not a worry. Jini promises to let them talk to each other.

That's the vision behind Jini. But that vision goes much further. Not only can hardware devices talk to one another, but also software services. In a Jini world, you won't care whether how a device works, or whether it is software or hardware based. An Internet based fax service will act as a fax, as will a hardware device. You'll just look for a fax service, without worrying how the service is implemented. Of course, someone needs to write the software that will power Jini services. That's where The Jini Specification comes in.

The book is divided into two main sections, an overview and the specification for Jini. The overview provides an easily accessible overview of what Jini is, how it works, and what it can achieve. There are also several examples of Jini services and clients, to give you some practical experience with building Jini software applications.

From there, the book dives headfirst into the actual specification. The first part of the book is good for managers, and software developers alike. The coverage of the specification, however, is designed as a reference for developers as they construct Jini software. This is where many readers could become lost, unless they are already using Jini in action. The first part of the book is a guide to Jini, the second intended only as a reference during development. Finally, a glossary of Jini terms and an essay on distributed computing is included, along with the full source code from the overview.

The Jini Specification is a must-have for anyone considering Jini development. It provides an excellent guide to Jini technology for those considering designing Jini-based systems, and a comprehensive printed reference for those who will implement them.  -- David Reilly, for the Java Coffee Break

The second collection from Mark Waid's run on JLA continues to improve upon the mess Grant Morrison made of the series. As in "JLA: Tower of Babel", these stories focus on both the individual and the team. Waid brings a human interest to the JLA, whereas Grant Morrison just brought action and chaos. Through Waid, we get to know the characters (Superman, Aquaman, Wonder Woman, Batman, Flash, Green Lantern, Plastic Man and Martian Manhunter) both inside and out. No more are the massive team-ups from Morrison's run. These stories are tight and stream-lined. They're more about friendship than saving the world.

Half of this book follows the aftermath of Tower of Babel
(wherein Batman 'betrays' the rest of the League) and the other half deals with one component of that 'betrayal'; the necessity of harboring a 'secret identity'.
After expelling Batman via a 4-3 vote, the JLA finds itself split like Repubs and Democrats; mistrust and petty sniping abound. Finally Supes and Bats have a heart-to-heart that is one of the best stories featuring these two together that has ever been done. If Frank Miller's "Return of the Dark Knight" was about the abject difference between these two, JLA #50 points out the similarities. From there we go to another storyline, where the membership is split up again, although in a totally different way. I won't give away details, suffice it to say it's an Alan Moore-esque study into the inner stress having a "secret identity" can create. It's gets a little complicated and overwrought, but hell, the entire JLA series from ish #1 to The Obsidian Age has been complicated and overwrought, so what the hey. A necessary companion piece to Tower of Babel.

I liked the story line of this book. We all wonder what if you met your alter ego? It catches the flavor of what happens when there is a break up or split. It is worth the price

It's unfortunate this is the only hardcover picture book of the Biltmore, available at the time of this review. Because it was the best one I could find, I bought it albeit, reluctantly as I like to have a picture book keepsake when I visit these places. There are many beautiful and often full page colour photographs, but there are also many black and white. Some of the latter are historical, so that is understandable, but others are not. With a predominance of construction pictures and the emphasis on the actual building process which of course ties into the history. This focus veers away from the main objective of a picture book momento, to include plenty of photographs of both the interior and exterior, preferably at least one colour photograph of each room. The estate boasts 255 rooms, and hardly 10% of them are represented. I would like to see this book enlarged to 3 times the size, with about 200 more interior pictures, then Rizzoli, who usually produces outstanding books of this genre, could up the price, but it would be worth it.

I enjoyed the story, don't get me wrong, but as for the pictures, yes it had numerous colors, but mainly black and white. I was surprised. Even pictures that weren't historic were in black and white.

When I purchased this book, I had hoped for a good floorplan of the home, instead I got a little sketch that could hardly be read with a magnifying glass.

Overall, very factual. It makes you realize just what went into the building process. Even if the paragraphs are a little too wordy.

I found this book on George Washington Vanderbilt's Biltmore Estate in Ashville, North Carolina, to be extremelly through. This book includes sketchs of many of the considered facades for the home, and what their floorplans would have been.

Pictures of all of the beautiful rooms in the house are included in this publication. Also included are sketchs of the many details of the home, included are the east facade, the Gate House, the gates that set next to the house, the Biltmore Village Church, and sketchs of many of the statues from Biltmore's gardens.

Also included in this book is the histories of many of the principal players in Biltmore's creation, including Fredrick Law Olmsted the landscape designer, Richard Morris Hunt the arcitect, and of course George Vanderbilt the home's owner.
Included is many of the landscape designs of Biltmore's gardens, and beautiful pictures of many of them. Pictures of Biltmore's Conservatory are included which sits in Biltmore's Walled Garden, to the north of Biltmore House.

All in all, this book is great, and a great companion to a day long visit to Biltmore! If you loved Biltmore Estate, you'll love this book, I garentee it!

In the story of Puss In Boots, a miller dies and leaves one of his sons nothing but the cat. This cat turns out to be quite clever and earns the favor of the King for his master. The cat also obtains land and a castle for his master and gives him the title of the Marquis of Carabas. The King becomes so impressed by the Marquis that he offers his daughter's hand in marriage, and the simple miller's son becomes a prince. The use of clever illustration makes this book an effective piece of folk lore. "Narrative Expectations: The Folklore Connection" discusses the basic pattern of a folktale. The article states that every folktale begins with the main character of the story being no different from or more special than any other character. Then, out of nowhere, the character is boosted into a "supernatural world" and all of a sudden he is moved up to higher society and viewed as a hero (67). This resembles the plot pattern of Puss In Boots, with the Marquis being the average character who becomes a hero. This jump to a higher level of society out of luck is strangely enough realistic in the twenty-first century. With things like inheritance, lotteries, and the stock market, a person of today could easily go from the poor miller's son to a "prince." However, this is not a common occurrence. The article also states that folklore "functions in part as an informal system for learning the daily logic and worldview of the people around us (71)." The author chooses not to use human characters to represent Master Slyboots and the rich ogre. He could have done this easily with illustration by making Master Slyboots a servant boy and the ogre a Marquis. Instead, he uses an informal style, placing animal characters in the book. This represents a higher level: Using animals in contrast to humans in order to show the differences in people as a whole.

This new translation of the "fairy" story first presented by Charles Perrault (1628-1703) in his Tales of Mother Goose in 1697 was illustrated by Fred Marcellino and translated by Malcolm Arthur. It was a 1991 Caldecott Honor book (that is, a runner-up to the Medal winner) for best illustrations in a book for children. The youngest son of a recently deceased miller receives a cat as his inheritance. He feels that he will soon die of starvation (after he has eaten the cat) since he has no other possessions. But, the cat convinces him to get him boots. The cat proceeds to find a fortune and a position for his young master.

I regularly visit school classrooms and read aloud to children from Kindergarten through eighth grade. Finding books that appeal to more than one grade level is a challenge.

I have found that the pictures in this version of 'Puss' appeal immensely to kindergartners through third graders. (Fourth and Fifth grade children also like it, but are often embarassed to say so in a classroom setting!). Children who often have a hard time sitting still for a story have sat transfixed as I read this book, holding the pictures in front of them all the time and giving them lots of opportunities to check out the wonderful use of light and color. The illustrator uses a lot of wonderful yellow that is very appealing to young children and seems to draw them into the book. I love reading this book out loud both to see children's reaction and also because I love the detail and color in the pictures.

Reading this book aloud has also sparked some beautiful art work from young children.

This valuable little book has saved my sanity numerous times. It has quick and easy to understand answers and gives common examples of how to use various commands. It is like a linux cheatsheet. Anyone can use the Linux GUI, but only a master knows the command line.

I have bought many Linux books in an effort to learn how
to use Linux commands. Well, after months of use, I can
confidently recommend this one above the others. It covers
just about everything there is to know to use Linux commands.
The arrangement of the book is good and it offers many examples.
Also, it covers commands and utilities glossed over by competing
books. For instance, check the make command page for its usage. The ZIP utility, safedelete and others are covered as well. This is the book I find most useful for command reference.
Highly recommended! If you choose only one command reference book, this is the one to buy for the newbie and experienced user alike.

There are several books like this one available, but I think this one is the best. It is easy to read, documents the commands and switches pretty thoroughly, and has several examples for each command that demonstrate the use of the command with its switches.

This book won't teach you Linux, but once you have Linux installed and running, this book will be invaluable.